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From Abdel Wahab, I learned to respect the audience… and I do not mind cooperating with Wiggs and Too Late

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Thursday 09/October/2025 – 06:55 AM

















The great singer Mohamed Tharwat confirmed that the late musician Mohamed Abdel Wahab had a great influence on his artistic and humanitarian career, noting that he learned from him that respect for the audience is the basis of true success for any artist, and that talent is a responsibility that must be used in a way that suits listeners and viewers.

In addition to this, the artist Mohamed Tharwat confirmed that he is a good listener to all types of music, and he does not mind cooperating with new generations, including Wiggs and Too Late, as he pointed out that in the beginning he was performing duets with the major stars who supported him in his artistic career, so the major stars must provide support to the youth. We review for you the most prominent statements of Mohamed Tharwat on television.

– Professor Abdul Wahab lived a century that was full of respect, concern for his listeners and viewers, and a documented selection of his works.

– I learned from him that the audience must be respected, and if a person is endowed with talent by God, then he should not harm people with this talent.

– I investigated many things, including my keenness to work in terms of speech, melody, performance, and recording method.

– Anything I do, I have to focus on it, and I feel as if I am singing for the first time, while I am on stage, despite all these years of my life.

Each stage of life has its own success factors and its own condition in humans.

– When I went out to my country or when we sang these patriotic songs on October 6, I felt that people were recalling a period of 40 years from my life.

The child who was 5 years old is now 45 years old. The young man who was 20 years old is 60 years old today. All these people remember their memories.

– I have no objection to the participation of any artist, and I welcome the colors that I can express and say.

I did this a long time ago, while I was still going out and Samira Saeed was going out. We made duets for Baligh Hamdi.

I made a trio with Ali Al-Hajjar and Medhat Saleh, “Shabak, O Egypt, Shabak, Your Hands Shabak.”

– I welcome the duet with Wijaoz and Tawalet… because I hear all the artistic colours.

– I have no objection to any artist participating.

– I have no reservations about anything, and I am not against any form of creativity, nor do I have a point of view on who does what.



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