Tuesday 01 April/2025 – 01:04 PM
The emerging artist Yassin El -Sakka, son of the artist Ahmed El -Sakka, topped the social media and search engines, and the reason for his response to the critics of his role in the Sayyid Al -Nas series, as he faced some criticism from the audience, and some of them have several accusations about his work in art, through the wasta.
Yassin El Sakka responds to his critics
In the first reaction from Yassin El -Sakka, he wrote a post through his account on Instagram, in response to his critics of his role in the series of the master of the people, commenting: First, I want to tell you a happy Eid, and oh Lord, it will be good for you and all your loved ones I was upset with me, and those in my mind are countries, I apologize to them, because in people actually criticized with respect, even if the role is not great and there is no concept from the audience. I accept this completely, while I am in the series and this is known.
Yassin El Sakka
It is noteworthy that Yassin El -Sakka recently told Cairo 24 that he studied acting in New York and directing in England, and during his presence in England he met the director Mohamed Sami, and offered him the details of his personality in the master of the people, a young man who returns from abroad and somewhat similar to him, and he was admired by the personality and saw that it is a good opportunity as the first experience with a great director such as Mohamed Sami.
The events of the Sayyid Al -Nas series took place, when the leader of the Abu Al -Abbas family dies, he recommends to his son my jerk in the family and the inheritance of the family.
Sayed Al -Nas series starring: The artist Amr Saad, the artist Ilham Shaheen, Reem Mustafa, Ahmed Zahir, Ahmed Rizk, Engy Al -Muqaddam, Menna Fadali, Khaled Al -Sawy, Nashwa Mustafa, Salwa Othman, Rana Rais, Bushra, Yassin El -Sakka, King of Ahmed Zahir, Suleiman Eid, Mahmoud Kabil, Alia Sobhi, Youssef Raafat, Juri Bakr, Engy Kiwan, Sandy Ali, Abdel -Gawad, and written and directed by Mohamed Sami.
